Artwork
Exhibition works at the intersection of calligraphy, embodied interaction, and human-AI co-creation.
Lead Artist

BruSHÚ
"Symbiotic Signals: Entangled Perceptions and Algorithms", Shaw Auditorium, HKUST, 2026
Paper: SIGGRAPH '25 Art Papers
Artworks are often encountered as finished artifacts; the implicit micro-actions that shape a calligraphic trace—boundaries, transitions, timing—are fleeting and underdetermined by the final work. BruSHÚ is a perceptual lens that translates these writing-process cues into interpretable cross-modal signals, supporting in-the-moment noticing and post-hoc reflection for expert calligraphers without turning practice into instruction or assessment.

PoeMotion
Campus Exhibition, HKUST(GZ), 2024
Paper: ISEA '24
Can AI utilize Chinese calligraphy to express the emotion within poems? PoeMotion is a co-creative system that bridges poetry and calligraphy—translating the emotional arc of a poem into expressive calligraphic forms, exploring how generative AI can participate in culturally-grounded artistic creation.

NarraStone
Campus Exhibition, HKUST(GZ), 2024
NarraStone reimagines the ancient medium of stone steles through human-AI collaboration. A tangible, twistable cube inspired by Chinese stone steles allows participants to form characters that seed emergent narratives via LLM, visualized as dynamic inscription calligraphy projections. The work highlights how collective interaction shapes stories and invites audiences to co-author the narrative landscape.
Collaborative Works

To Perform/To Live
Campus Performance, HKUST(GZ), 2025
"Symbiotic Signals: Entangled Perceptions and Algorithms", Shaw Auditorium, HKUST, 2026
Paper: SIGGRAPH '25 Art Papers
A decolonial approach to interactive music performance that repurposes Chinese women’s everyday objects—an abacus, a washing basin, a soup pot, a fan, a massage hammer—as digital musical instruments. Performers transform domestic gestures into musical control, rendering gendered labor audible. After each performance, human-AI co-creation extends the work into 3D-printed tactile artifacts.

FinHertip
Huiling Farm Performance, Guangzhou, 2025
Paper: SIGGRAPH Asia '25 Art Papers
FinHertip explores embodied identity and human-AI co-creation in accessible musical performance. Performed at Huiling Farm—a therapeutic farm supporting people with intellectual disabilities in gaining life skills and reintegrating into society—the work designs interfaces that enable expressive music-making through embodied interaction.

Archiving Body Movements
Campus Exhibition, HKUST(GZ), 2024
Paper: ISEA '24
Collective generation of Chinese calligraphy through archiving and interpreting body movements—exploring how group embodied actions can be translated into calligraphic expression.